Well, How Did I Get Here? Tracing My Love for the Talking Heads by Anne Marie

So Colin wants to know about the David Byrne show and why I like the Talking Heads in the first place. He feels like he “missed the bus” on the whole Talking Heads thing. And I feel so freaking happy that I’ve been on the bus for as many crazy decades as I have. My only regret is that I wasn’t standing in CBGB‘s back in the mid-1970s when it all began. But I wasn’t. Back then I was still a kid in Rochester, New York. Hometown of Foreigner’s Lou Gramm and home to really one radio station of any note, 96.5 WCMF “Long Live Rock” FM.

Luckily, MTV launched in 1981 and one of my favorite videos ever, the Talking Heads’ “Once in a Lifetime” was in heavy rotation to expand my musical universe. Byrne, all nerded out in a skinny suit, bowtie and big Buddy Holly glasses, sweating profusely and hyperventilating, breaks out some spectacularly spasmodic, epileptic dance moves choreographed by Mickey’s Toni Basil (“Oh Mickey, you’re so fine, You’re so fine you blow my mind, hey Mickey, hey Mickey!”) while he appearing to undergo some sort of religious conversion.  Afro-funk beat and global-inspired dance moves. It was so very different than anything else I had seen/heard, even by MTV standards, and I was instantly hooked.

Talking Heads' "Once in a Lifetime," from the 1980 album Remain in Light

There was an amazing art theater on BU’s campus in the 1980s, Nickelodeon Cinemas, wedged between classroom buildings on Cunningham Street, and of course it showed Jonathan Demme’s concert film Stop Making Sense? when it premiered in 1984. If you have seen this, Byrne first appears on an empty stage, armed with only an acoustic guitar, and eventually is joined by bassist Tina Weymouth, drummer Chris Frantz and keyboardist Jerry Harrison. They then play hit after Talking Heads hit, ending with a wild performance in which Byrne propels himself about the stage grooving and jerking to the music in now iconic enormous white suit.

Stop Making Sense is director Jonathan Demme's remarkable concert film that captures the enormous energy and joyous highs of the Talking Heads live performance. Band members David Byrne, Tina Weymouth, Chris Frantz and Jerry Harrison are joined by Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt in this groundbreaking concert film that is packed with the Talking Heads most memorable songs.

At that point, it felt like all Boston was consumed by Talking Heads fever.  We would party hop from school to school and every party, from BU to MIT, Harvard, BC and all the little colleges in the brownstones in the city would be blasting "Burning Down the House". I remember scavenging the record stores for used cassettes of Speaking in Tongues and other selections I was missing from the Talking Heads catalog. I splurged and bought Little Creatures new when it came out in 1985 and Naked when it came out in 1988 (somehow I missed 1986’s True Stories). Naked contains my favorite song, (Nothing But) Flowers”, which I love for Byrne’s lyrics.  After seeming to rhapsodize about the return to an agrarian society,

There was a shopping mall

Now it's all covered with flowers

You've got it, you've got it

Byrne flatly rejects that hippy 60s utopian vision and pleads not to leave him stranded there.  

“Flowers” has my one of my favorite song lines ever (“I dream of cherry pies, candy bars, and chocolate chip cookies”) which I like only slightly less than Ben Folds’ “I grew up on sugar cereal and TV/I'm starting to wonder what you see in me” from “Not a Fan”).

Later in 1988, I was studying abroad in Madrid and Stop Making Sense? made its way to the screen there.  The theater was packed and the audience went crazy for it.  I remember being so proud to be an American. I know that’s weird but absolutely true.

So, not much happened with the Talking Heads after that. They dissolved shortly after the release of Naked but officially disbanded in 1991. That’s the year I finished law school so I’m not sure I even noticed. In 2002, the band was inducted into the Rock and Roll Hall of Fame. Four of the band's albums appeared on Rolling Stone's list of the 500 Greatest Albums of All Time, and three of their songs ("Psycho Killer", "Life During Wartime", and "Once in a Lifetime") were included among the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll. Did I know this until I did a quick Wikipedia search? No, not specifically. Because besides keeping their music in regular rotation, I really had stopped actively following the disbanded band’s goings ons.

Then, early this year, I came across Bryne signing Bowie’s Heroes in a Choir! Choir! Choir! video. Oh, that voice and that presence! I knew right that moment that if I had the chance to see him in concert singing Talking Heads stuff, I would be there.  

Choir! Choir! Choir! teamed up with David Byrne and a TON of singers in the Ford Foundation lobby of the Public Theater during the Under the Radar Festival to sing 'Heroes' written by David Bowie and Brian Eno It was magical + powerful.

And so it seemed serendipitous when I learned that Byrne was touring and while he would not be coming to Columbus, he would be coming very close.  In between catching the Heroes video and hearing about the tour, Byrnes had released his American Utopia solo album and I had received a live stream of it from one of my NPR music subscriptions and instantly felt at home with a few of the songs on the album. Little did I then know that I would be working and living in Boston in time to catch one of his two shows here in early August.

Ah yes, the show, I was supposed to write about the show.  Remember Stop Making Sense? and how first it was just Byrne on the stage with a guitar and then one band member joined him at a time?  Well, American Utopia started with Byrne sitting alone on a stage holding a big brain. The stage was boxed in by floor to ceiling curtains of silver-colored beads and in that sense it resembled the stage of a musical rather than a rock show. There was no drum kit, no microphone stands, no guitar racks, no amps, no roadies scurrying around busy with last minute setup and tunings. Byrne was in a business suit, this time grey and not oversized, but this reference back to Stop Making Sense? invoked in me the clearly intended sense of deja vu.  Through these beaded curtains various groupings of Byrnes’ nearly dozen (11? - hard to count when they all were dressed identically and in constant, choreographed singing, music-making motion) musicians and dancers would pop in and out, appearing and disappearing as primarily white and blue lights bathed and flashed about the stage. At times, the effect was mesmerizing, like watching a giant fish tank of sparkly silver tropical fish dart and swim about.

The musicians all wore their instruments strapped to them so they could move about the the stage and, together with the two uber-cheerful dancers, execute Byrne’s classic freaky awkward but oh so fun to watch choreographed dance moves to songs including the new album’s opening track, “I Dance Like This.”

I dance like this

Because it feels so damn good

If I could dance better

Well, you know that I would

This freedom from standing instruments also allowed the stage to be re-set instantly between songs without needing to move any equipment.  

My favorite “scene change” of the concert was the transition into “Burning Down the House”. Out through the beaded curtain comes Byrne with this red guitar playing one of the most memorable intros to any song - ever - and, as the musicians pop out onto stage and join in, the previously all blue set starts occasionally pulsing red as they (and the entire audience) sing/chant/yell “BURNING DOWN THE HOUSE!”

The final encore was a cover of Janelle Monae's "Hell You Talmbout" ("Say His Name) from the Women's March. So powerful with that many musicians in a line shouting all the names of those like Trayvon Martin killed in racist violence. I do think it was intended to be more interactive, yet those around me were content to pretty much watch rather than participate in the call and response. Hopefully, as with his music, where he was on the cutting edge of creating what Seymour Stein would christen “New Wave music”, Byrne is an early indicator, a barometer of sorts, of where society is headed in terms of unwillingness to tolerate this bigotry and ongoing needless violence.  - Anne Marie

Random Thoughts About A Thousand Thoughts - by Anne Marie

While I have fully-loaded cable plus Amazon plus Netflix, and generally love having all those thousands & thousands of viewing choices, I do sometimes get nostalgic for the days when we had just four national television networks and everyone would watch the Wizard of Oz or A Charlie Brown Christmas on the same night. There is just something to be said for a shared experience. It’s a large part of what keeps me going to see movies at theaters.  Yes, I like a big screen and seeing a movie when it first comes out, but I really like how seeing the movie with a bunch of other people somehow heightens my own reaction to it. That happened when I went to see The Post a few Saturdays ago. It’s a movie based on actual historical events - so I knew the ending - but that did not stop me from being on the edge of my seat as Meryl Streep so convincingly played Kay Graham’s hand-wringing, lip-biting uncertainty over whether or not to publish the Pentagon Papers, and it was worth every penny of my $10.25 when the whole theater broke into raucous applause at the ending. 

But what’s even better than watching a movie together with others?  For me, it’s enjoying live music.  That’s when I’m most in the moment and when I most can feel the energy of not only the performance but the crowd reacting to the performance.  Director Sam Green has developed a merger of both movie and live performance, a form he calls the “live documentary.”

Last Thursday night, The Wexner Center for the Arts co-premiered A Thousand Thoughts, a live documentary by Sam Green and the Kronos Quartet. (Columbus was supposed to be the “World Premiere” but it actually premiered earlier that week at the Sundance Film Festival in Park City, Utah. I guess that was an offer too good to refuse.)

This is how it worked. Green spent weeks combing through the archives of the Kronos Quartet, housed floor to ceiling, room to room. in a second floor San Francisco apartment that doubles as their practice space.  He interviewed and filmed current and previous members of the quartet, as well as a handful of the nearly 1,000 composers with whom Kronos has collaborated (including Phillip Glass, Terry Riley, the Inuk throat-singer Tanya Tagaq and the Chinese pipa player Wu Man), then fashioned a film which played on a large screen while Green narrated the history of the quartet from its founding in 1973 by violinist David Harrington up to the present, as Harrington and Kronos’ three other current members – violinist John Sherba, violist Hank Dutt, and cellist Sunny Yang - played live on the stage in front of the screen to more than twenty compositions, providing the soundtrack to the movie, while oftentimes also telling parts of the story from within the film. 

This is how it felt.  Always interesting and entertaining. At times intense.  At times powerfully moving.  And overwhelmingly immediate and fleeting. I did not see one person look at a cell phone or even whisper to their neighbor.  We were hundreds of people in the collective moment from 8:00ish to 9:30ish. (Sam Green told us the exact times to the second at the start and at the finish but since I was in the moment and wasn’t taking notes, I don’t remember.)  Unlike a live concert, you could never be complacent in a moment.  You could never think to yourself, “Oh, here comes that long [bass][drum][guitar] solo” and mentally check out. There was always a new clip or image hitting the screen, a new part of the story being told. 

The story of any group that has been together for 45 years is sure to have its share of comic and tragic moments and both were shared in equal measure, from the quartet's outlandish hair and clothing stylings throughout the years in an effort to break with the stuffy “penguin suits” of traditional string quartets (my favorite were the Star Trek-looking outfits), to the deaths in quick succession of Dutt’s longtime partner, of Harrington’s son and the loss by cellist Joan Jeanrenaud of her baby, who was stillborn. 

In one of the most compelling portions of the documentary, Harrington described how following the joyous event of the birth of his first grandchild in early 2003 he felt himself pulled down into a deep depression. He related that the buildup to the invasion of Iran began to trigger flashbacks to his late teens and early 20's and his reaction to the Vietnam War, and he dreaded what the world would be for his grandson.  As a consequence of the depression, he lost his inner resonance, and was unable to hear/feel music inside of him.  He felt hopeless and on a downward spiral until he realized he needed to talk to someone with a great voice to lift him up, and he thought of Howard Zinn, the American Historian and author of People’s History of the United States (and - by the way - my Professor back in the day at Boston University).  Harrington describes how he got Zinn’s telephone number from a friend of his, called him and asked “What can a normal person do in this time?” The film then cuts to Zinn’s answer in a clip from Zinn speaking at a fundraiser for Spare Change street paper and the Homeless Empowerment Project in 2004.  (It's at 11:19-12:42 of the video below.)

Then we are back to Harrington saying that after an hour of talking with Zinn, he had confidence and energy and could return to his mission of finding music that can protect people from suffering and children from harm, which is what still drives him after more than four decades.

Although Sherri Geldin, Wex director, mentioned that there are plans for a limited tour of the production, I am not sure where, and as far as I know, it was one show only for Columbus. But if you can see it somewhere else, do!  And, in the meantime, go have another shared experience at the Wex.  Here’s a few upcoming events on my calendar:

Paris is Burning on Feb. 6th @ 7 PM – winner of a Sundance Film Festival Grand Jury Prize, looks at the drag ballroom subculture of 1980s Harlem (1990) 

In the Intense Now on Feb. 16th @ 7 PM – documentary revisits the revolutions of 1968 in France, Czechoslovakia, Brazil and China (2017)

Dementia 13 and Lick the Star on Feb. 24th @7 PM – a double bill of Francis Ford Coppola and daughter Sofia Coppola movies - or catch Adam O’ Farrill’s Stranger Days, a jazz quartet that took the last Winter Jazzfest in NYC by storm, in the Wex Performance Space at 8 PM

You can find the full calendar of events at www.wexarts.org.

And, if you are looking for a place to eat before or afterwards to continue your communal experience, check out the South Village Grille, a relaxed and yet upscale little grill located next to the Thurman Café in German Village. This place is so good that it inspires love letters rather than reviews on Yelp. The food (American, with especially fantastic seafood & vegetable selections but also steak and many other offerings), craft cocktails, atmosphere and service have been very, very far above par on each of my visits (and there's also plenty of free, on street parking).  If you want a fun place for a drink and snack, try Service Bar, the front portion of the distillery at Middle West Spirits, tucked in a street back from High Street in the Short North.

Even though we are finally having a bit of an actual winter, it's definitely worth heading out into it in Cbus!

Anne Marie covers the Wexner Center and other non-KISS related material for Pencilstorm.

A Recap of TV Party Tonight! Season One: January - March 2017, Episodes 1-10

Congratulations! If you are looking to kill about 300 hours of time watching music videos, you have come to the right place. Each TV Party Tonight! episode is designed to be a launching point for your own never-ending rabbit hole. We set 'em up and you knock 'em down. Below is a summary of Season One, which is sure to keep you up past your bedtime and leave you bleary-eyed the next day.  They also make for fine conversation starters with people you disagree with on Facebook. Enjoy!!! - Colin G. 

TV Party Tonight Part One: A George Martin Rehearsal with Queen  by Colin Gawel

Part Two : Friday's by Scott Carr. (featuring The Clash, Devo, Stray Cats, KISS and more)

Part Three: My Inauguration Rabbit Hole. Colin goes on a post-election bender and takes you along for the ride. (Featuring RATM, Dylan, Prince, 3 Doors Down, Buddy Miller, The Hives and many more. Seriously, he was on a bender. 

Part Four: The Dictators and The Neighborhoods by Ricki C. 

Part Five : Mark Linkous of The Dancing Hoods and Sparkle Horse by JCE

Part Six: Random Stuff from Great Rock Docs by Colin Gawel

Part Seven: Powerful Political Music for President's Day  (featuring Staple Singers, Bob Dylan, Neil Young and more) by Anne Marie

Part Eight: Generation Axe (featuring Steve Vai, Joe Satriani, Eric Johnson and more) by Wal Ozello

Part Nine: Gulity Pleasures (featuring Gwen Stefani, Britney Spears, Aerosmith, Van Halen, The Bangles and more) by Jeremy Porter

Part Ten: Bands I've gotten mail from. (featuring The Dictators, The Pop, The Atlantics and more) by Ricki C. 

A Public Service Announcement for KISS Fans: Mandatory Holiday Viewing - by Anne Marie

My son is a huge James Franco fan and he recently suggested Why Him? for family movie night.  Why Him? came out last December.  Set at Christmas time, it features Bryan Cranston as Ned Fleming, Hollywood's version of a Midwest normal dad, going out to California with his wife and son to spend the holiday with his daughter at Stanford to meet her new boyfriend.  As a comedy, it's pretty much a ripoff of the Meet the Parents storyline, but it has some funny moments and I especially liked Keegan-Micheal Key's character, Gustav.

As we watched it, and repeated reference was made to the fact that the Flemings' favorite band was KISS, and KISS was on the soundtrack and worked into the very fabric of the plotline, I thought, "How has Colin not mentioned this? This must be on his annual holiday watch list."  And when I asked him, I was floored when he responded, “I don’t know that one!  You have one-upped me on KISS!  How is that possible?”

How is that possible?!?  This is the dude whose blog has more than 30 articles devoted to KISS, who has himself written multiple articles about the band, one in which he describes an entire Sunday morning devoted to Googling Kiss setlists and then watching the videos on Youtube and another in which he compares the finer points of Paul and Ace’s respective solo albums, and who can expertly steer any conversation towards the band, to wit this recent Facebook discussion which began as which Rock Hall nominees would become inductees in 2018, and then became which bands were fully formed on their debut album, and then somehow became an all out KISS-o-mania celebration:

James Baumann I always think of The Pretenders and The Clash as the answers to this question. R.E.M. is a good choice as well.

Colin Gawel Scott Carr I don’t think they really hit stride until Heaven Tonight. Love the debut but it’s pretty quirky.

Matt Walters KISS’ debut is pretty hard to beat, although they weren’t really “fully formed” in the sense they weren’t a whopper with cheese yet. 😉 The Jam, The Beastie Boys, Exploding Hearts (RIP), Television all have 5/5 debuts, too. I might also throw Franz and TVOTR in there too. Also You Am I but nobody’s ever heard of them.

Peter Nichols Colin Gawel Sh*t, I forgot "Get The Knack".

'Twas brilliant!

Peter Nichols I mean, the drumming alone deserves to be in the Hall of Fame.

James Baumann Matt Walters Love me some You Am I.

Steve Elshoff Van Halen.

Steve Elshoff Jeff Buckley.

Colin Gawel Matt Walters KISS is but sonically it just doesn't have the goods. Alive is really the record in my opinion.

Colin Gawel Van Halen ! duh. Facepalm.

Kyle Siegrist Metallica Kill 'Em All

Kyle Siegrist Colin Gawel IMO the Kiss debut lp is their best, but I agree Alive put them on the map.

Colin Gawel Kyle Siegrist best songs no doubt but I always play Alive for folks. Actually, they probably hit their peak on Destroyer. Artwork - sound - songs - all that jazz.

Colin Gawel Or possibly Crazy Nights.

Scott Carr Rock And Roll Over beats Destroyer all day long.....

Colin Gawel Scott Carr now you are just trolling me. Everybody knows I’m a Destroyer guy.

Scott Carr hehe....

Kyle Siegrist Remember I'm not really a Kiss fan like you or Scott. For whatever reason I personally just like thier debut best. I also really like The Elder.

Colin Gawel In other KISS related news I guess the greatest book ever written is being re released and I’m not talking about the Bible.

Scott Carr Colin Gawel I thought you were a Crazy Nights guy????

Scott Carr that book is anazing...

Colin Gawel Guess the author was on Eddie Trunk and an updated version coming out. And rumor has it Vinnie Vincent is on the cover. Seriously.

Matt Walters vinnie's also on the back cover! It's a commemorative edition specifically highlighting how overrrated he is by certain fans of the band ;)

Matt Walters I think this discussion about KISS vis-a-vis the "fully formed on the debut" comment is really interesting. On KISS boards, the debut typically is a solid #2 among fan aggregate polls (behind RARO - usually Hotter than Hell is third and Destroyer is f...See More

Colin Gawel Kyle Siegrist I think reasonable people can agree The Elder is better than The Wall.

Rick Kinsinger Am I the only one who suspects that Colin's motive for this entire thread was to turn it into a discussion about the KISS discography?

Kyle Siegrist Colin Gawel yeah that's a no brainier

Nate Puderbaugh Oasis "Definitely Maybe"

Pete Vogel Some of my fave debut albums: VH, Boston, Foreigner, The Cars, Tom Petty, Led Zep. All broke new ground, IMO.

Scott Carr Rick Kinsinger isn't that why all Facebook threads are started?

Colin Gawel Matt Walters I can't find pre order for updated KISS touring history? Can you help a brother out?

Scott Carr ColinGawel I think the only place they are taking orders is through pledge music.....

Colin Gawel Scott Carr good tip. Stumbled on many other Kiss books in my quest. You read that Elder one?

Scott Carr yeah The Elder one is good. If you have the solo album book, it's done by the same guy. Lots of info....

Matt Walters Colin Gawel I believe it sold out. Let me check the FAQ

Scott Carr Colin Gawelhttps://www.pledgemusic.com/projects/alive-forever

So if you, like Colin, are a KISS fanatic who hasn't seen Why Him? yet, or if you are just looking for another Christmas-themed raunchy comedy to pass a couple of hours, Why Him? is currently on demand.

SPOILER ALERT!!!!

* * *

DO NOT EVEN GLANCE BELOW HERE OR WATCH EITHER OF THE VIDEO CLIPS IF YOU WANT TO BE FULLY SURPRISED BY JUST HOW KISS "PLAYS" INTO THE MOVIE.

Holiday Edition of Some Things to See: in Columbus and Streaming Online - by Anne Marie

In early November, some friends and I had plans to have lunch at Heirloom Cafe and see the Cindy Sherman: Imitation of Life exhibition at the Wexner Center.  But there was a hitch.  Veterans Day was celebrated that Friday and OSU, including the Wex, was closed.  Bummer.  We were physically hungry and art-starved and so we headed instead to the Columbus Museum of Art where we enjoyed lunch at the Cameron Mitchell-catered Schokko Art Cafe overlooking the new sculpture garden and then toured the current CMA special exhibition, Beyond Impressionism – Paris, Fin de Siècle: Signac, Redon, Toulouse-Lautrec and Their Contemporaries.

The CMA is the only U.S. stop for this exhibit of more than 100 paintings, prints, drawings and other works. If you are still reading this, you may just be enough into art to know that Columbus is also the only traveling location for the Cindy Sherman exhibit as well. You may be asking yourself just how is humble li'l old Columbus shaking off its Cowtown reputation and pulling off these art coups?  I'm not sure, but however it’s happening it’s all the more reason to go see some art.  

Presented in partnership with the Guggenheim Museum in Bilbao, Spain, the Beyond Impressionism exhibition explores the Parisian art scene, focusing on the most important French avant-garde artists of the late 19th century, including Paul Signac, Maximilien Luce, Maurice Denis, Pierre Bonnard, Félix Vallotton, Odilon Redon, and Henri de Toulouse-Lautrec.  This exhibit has something for everyone.  Impressionism, Symbolism, Pointillism, the Nabis, and Art Nouveau. My favorite find was Redon, whose displayed works ranged from hybrids of humans and inanimate objects like The Egg to images of fantastic creatures like Pegasus to delicate but vibrant flowers or an imaginary vision of a beautiful boat.

The Egg (1885)

The Wing (1893)

Pegasus (1895-1900)

If you are like we were the day of our visit, and are overly chatty and many of the pieces lead you to reminiscence about past trips or art history classes taken back in the day when you were in college, you will definitely have a hard time seeing this is one viewing.  By the end, we could only briefly walk through the prints by the Nabis, the best known of which are the colorful Moulin Rouge posters of Toulouse-Lautrec.

Good thing the exhibit is on view through January 21, 2018 since I need to go back.  Museum admission is free on Sundays and the exhibit is only $6 and free to members.    

I got the stomach flu the weekend after Thanksgiving. Luckily, it really was a stomach bug and not anything related to the turkey day meal itself since no one else was taken out by it. With Caitlin in Pittsburgh for a weekend of hockey and the guys off busy with Blue Jackets hockey and Buckeye football, I was left on the couch recovering - and in charge of the remote control.

I’d had the Glen Campbell documentary, Glen Campbell: I’ll Be Me, on my “to watch” radar for years and with Campbell's August passing, Scott Carr’s mention of the film again in his in memoriam piece,  and an encore presentation of a story about the making of the documentary that aired on All Things Considered, I felt it was overdue for viewing. If you haven’t heard about this one, it follows Campbell and his wife Kim as they receive his Alzheimer's diagnosis and then embark with a small extended family on what began as a 5-week farewell tour that eventually expanded into over 150 shows across the country over 15 months.  While I’m not a huge country music fan, I grew up in the pre-Sony Walkman days of AM/FM radio where the whole country seemed to know the same songs and watch the same few tv channels so I know a few of his solo hits. But before fame struck, Campbell was a studio musician with The Wrecking Crew and he has immense musical talent that transcends genres. At first I enjoyed the film and watching Campbell soaking up the applause from his faithful fans. He was still able to play the music even as lyrics completely evaded him without the teleprompter. But, I couldn’t quite finish it. It was just too painful to watch this man who was the epitome of the alpha male (four times married, the embodiment of the Rhinestone Cowboy and the Wichita Lineman) as his kids kept teasing him forgetting to stay on his mark on the stage or as he had to pee in wastebaskets because he couldn’t remember the way to the bathroom.

Next up was The Winding Stream, another 2014 documentary, about the Virginia folk band the Carter Family. This quirky little film tells the story using interviews and goofy, but kinda charming, animated still photos intermixed with musical footage. I wasn’t at all familiar with the early story of the start of the Original Carter Family and enjoyed having living relatives tell the tale of how A.P., Sara and Maybelle Carter left the family farm in 1927 to travel to Bristol, Virginia to make recordings in an old hat factory. But what was most fascinating about the early period was the story of A.P. collecting music from all over the country and turning it into songs. On the one hand, old family music that wasn’t recorded anywhere else and may have been lost was preserved but, on the other, no compensation was paid.  The film moves through the start of Mother Maybelle and the Carter Sisters, the end of Sara and A.P.’s marriage and her self-imposed exile to marry and live with his cousin Coy in California, June Carter’s marriage to Johnny Cash, and up to the creation of the Carter Family Fold, where you can still go hear their music today in Virginia.

Last, but not least, I watched Gimme Danger, Jim Jarmusch’s film making the case that the Stooges were one of the most under-appreciated, greatest rock-n-roll bands of all time. I have to say I expected more scenes of wild mayhem in this movie, but I was good with what I got instead.  Iggy Pop, at age 69, looking intensely at the camera and telling the story as clearly he wants it told. And I respect that. I recently heard that reporters are pissed that Robert Plant, out to support his latest solo album, essentially tells them to go get a life when they keep asking him if he plans to write a book.  He tells them it’s all between his ears and that’s enough.  I get the sense that for Iggy that’s not quite enough but he wants to tell the story his way.  What’s there is good stuff (you just wish there was more). Childhood stories, opening for the MC5, working with Bowie, almost making it to stardom but needing to return home broke to his parents’ trailer, and performance footage. One of my favorite moments is when Jarmusch captures the reaction of the Asheton brothers’ mother, as related by their little sister, of when Iggy called to put the band back together 35 years later. “Iggy called! Iggy called and he wants to get the band back together!” says the excited 70-something year old about her 50-something year old sons getting to play with the Stooges again.  I love that power of rock and roll.

Happy viewing! - Anne Marie