PAUL McCARTNEY AND STEVIE WONDER VS. PAUL McCARTNEY AND MICHAEL JACKSON - BY SCOTT CARR

 

 

 

Just in time for his October 13th concert at Nationwide Arena here in Columbus Ohio, Sir Paul McCartney has released the latest in his ongoing Archive Collection re-issue campaign.

October 2nd brought newly remastered and expanded editions of his third and fourth solo releases, Tug Of War and Pipes of Peace. Over the past few years McCartney has been opening the vaults and giving his fans some rare gems along with remastered versions of some of his best work. The Archive Collection has already seen several titles from McCartney's post- Beatles band Wings including Band of the Run, Venus and Mars, Wings At The Speed of Sound and their classic live album Wings Over America, along with McCartney's 1970 solo debut McCartney and its follow up, 1980's McCartney II, plus Paul & Linda McCartney's Ram. This time around fans are treated to two underrated classics from Macca.

Tug of War originally began as the next Wings release, but a series of events - including the death of McCartney's Beatles band mate John Lennon in December 1980 - led McCartney to continue on as a solo artist. Tug of War is considered one of McCartney's strongest solo sets and has stood the test of time quite well. Tug of War was produced by George Martin and sounds amazing. The album features contributions from former Beatle Ringo Starr as well as Wings guitarist Denny Laine. Carl Perkins duets with McCartney on the track "Get It" and lays down some tasty guitar licks as well. Other guests include 10cc's Eric Stewart and influential jazz bassist Stanley Clarke. The albums highest profile guest is Stevie Wonder, who duets with McCartney on two tracks: "What's That You're Doing" and "Ebony and Ivory." The latter became the album's biggest hit and was a worldwide smash but for me it is definitely the weaker of the two tracks that feature Wonder. "What's That You're Doing" is an upbeat funky tune that McCartney co-wrote with Wonder and is one of many highlights on the record. Some of the album's best tracks are lesser known songs like "Wanderlust," "The Pound Is Sinking" and "Somebody Who Cares." The album's second single "Take It Away" was another big hit and helped push the album to platinum status. "Here Today" is the most poignant moment on the record, as it is a tribute to John Lennon which Paul has described as an imaginary conversation that the two may have had. Paul often performs "Here Today" in concert. If I had my way McCartney would break out "Ballroom Dancing" for his October 13th show in Columbus but I'm not holding my breath.

McCartney with Beatle producer George Martin at work on Tug of War. The two had not worked together since Martin produced the Wings track "Live and Let Die" in 1973.

McCartney with Beatle producer George Martin at work on Tug of War. The two had not worked together since Martin produced the Wings track "Live and Let Die" in 1973.

 

Pipes of Peace follows pretty much the same formula as Tug of War but isn't quite as strong. Many of the songs for Pipes of Peace were recorded at the same time as the previous record and many of the same musicians are featured as well. McCartney brought in Michael Jackson to duet on two of the albums tracks: "Say Say Say" and "The Man," but unfortunately the chemistry that Macca had with Stevie Wonder did not repeat itself with Jackson. "Say Say Say" became a big hit but isn't one of McCartney's finest moments. The second track with Jackson, "The Man" fares a little better. Although Pipes of Peace isn't nearly as solid as Tug of War it does feature some great tracks. The albums title track and "So Bad" are among some of his best from the 80's. I wouldn't mind hearing "Average Person" when McCartney comes to town but again...I'm not holding my breath.

McCartney and Martin working on Pipes of Peace.

McCartney and Martin working on Pipes of Peace.

 

Both of the reissues come with a companion disc of unreleased goodies that are well worth a listen. McCartney completists will nitpick but I guess we can't have it all.

Paul's upcoming performance in Columbus is sold out and will no doubt be a magical evening of McCartney classics spanning his entire career. Earlier this year I attended Stevie Wonders Songs In The Key of Life concert here in Columbus and it was one of the best shows I have ever seen. In a surprising turn of events I got to meet Stevie after the show. It was a brief encounter but pretty cool. Stevie shook my hand and said hello and I told him the show was amazing and that up until that evening Paul McCartney was the best show I had ever seen, Stevie chuckled and said "Yeah, I've taught him a few things over the years." It would be nice if I could share this story with Sir Paul when he rolls into town on Tuesday.........

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.


Paul McCartney - Tug Of War

Sent out to some radio stations and publications on a hand-duplicated TDK AD60 with standard commercial release inlay card. McCartney discusses his album with Alexis Korner and Stuart Grundy, along with a few memories and some thoughts on his relationship with John Lennon.

Paul McCartney - Take It Away - De su album de 1982; Tug Of War. Take it away, wanna hear you play Till the lights go down. Take it away, don't you wanna stay Till there's no one else around? Take it away, wanna hear you play Till the lights go down.

The best on-air performance of McCartney's dirge to Mr. JWL

Off Original Pressing Of Tug Of War Columbia/CBS Records CK 37462

studio interview Paul&GeorgeMartin

Paul McCartney Pipes Of Peace

Played in the movie "Give My Regards To Broad Street" (1984), with Ringo Starr. Original song from the album "Pipes of Peace" (1983).

http://www.PaulMcCartney.com Pre-order 'Pipes of Peace 2015 Reissue' below: US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad UK / Rest of the World: http://paulmccartney.lnk.to/POP iTunes: http://smarturl.it/PMPoPiTunes --- MPL and the Concord Music Group are proud to announce two more landmark installments in the multiple GRAMMY-winning Paul McCartney Archive Collection.

http://www.PaulMcCartney.com Pre-order 'Tug of War 2015 Reissue' below: US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad UK / Rest of the World: Pre-order HERE: http://paulmccartney.lnk.to/TOW iTunes: Pre-order HERE: http://smarturl.it/PMToWiTunes --- MPL and the Concord Music Group are proud to announce two more landmark instalments in the multiple GRAMMY-winning Paul McCartney Archive Collection.

I'd Pay Anything to See This Show by McCartney - by Wal Ozello

Sir Paul McCartney is embarking on one of his last tours around the world and he’s picked Columbus, Ohio as one of his few stops in North America.  Tickets go on sale to the general public Monday, August 31.

My immediate reaction was to pay whatever to see this show.  This is my last chance to see a Beatle.

But after a few minutes, my mood changed. Why would I pay good money to see him play songs I have heard over and over again on my record player, tape, CD, or iPod?  I recently watched Paul crash & burn during the SNL 40th anniversary show and this made me wonder if his Columbus show would be everything I would want it to be.

I know Sir Paul is a Beatle and has a vast amount of experience, wisdom, and gut instinct when it comes to live performance, but he’s getting up there in age.  Comparing him to his peers, he’s really like 150 in rock star years. This may be the last time any of us will get to see him. And I’d like it to be more spectacular than anyone’s ever imagined.

So what would it take for me to put down my hard-earned money to see Sir Paul at Nationwide Arena?  The perfect set list (clear and free of anything post-Wings) and the perfect band to back him up.

Here’s a dream set list of all the Beatles and Wings songs I’d love to hear… in the perfect order… and even a few covers.  

Open:
Sgt. Pepper's Lonely Hearts Club Band
A Hard Day's Night
Back In The U.S.S.R.
Day Tripper
Satisfaction (The Rolling Stones)

(Break)

Ob-La-Di, Ob-La-Da
Live And Let Die (Wings)
Eleanor Rigby
Penny Lane
We Can Work It Out

(Break)

Blackbird
I'll Follow The Sun
When I'm Sixty-Four
Here, There And Everywhere / My Love (Wings)

(Break)

One (Three Dog Night)
Helter Skelter
Good Day Sunshine
Jet
She Loves You
Paperback Writer

(Break)

Michelle
Oh! Darling
All My Loving
Silly Love Songs (Wings)
Can't Buy Me Love
I Saw Her Standing There
Crazy Little Thing Called Love (Queen)

(Break)

Got To Get You Into My Life
With A Little Luck (Wings)
Get Back
I Will
Lady Madonna

(Break - Close)

Yellow Submarine – (Ringo)
The Long And Winding Road
Yesterday
Band On The Run
Hey Jude

Encore:
Imagine (Tribute to John)
While My Guitar Gently Weeps (Tribute to George)
Why Don't We Do It In The Road
Carry That Weight
Let It Be

I know I threw in a few weird covers. A cover of "Satisfaction" by The Rolling Stones makes perfect sense.  But "One" and "Crazy Little Thing Called Love?"  After listening to those songs many times in my life, Paul’s voice would sound amazing on a McCartneyesque version of Three Dog Night’s "One." And his casual baritone phrasing would make "Crazy Little Thing Called Love" ten times better than the Freddie Mercury version. 

And think about how Paul could totally blow everyone’s mind when he comes back to the encore with a piano riff of "Imagine" and simply saying, “This is for John.” And then following it up with George’s "While My Guitar Gently Weeps." It would be one of the most poignant moments ever in rock n roll history.

THE BAND
This spectacular set list needs a band that can step up to the task.  Paul needs more than just session players, he needs the best.  Any one of these guys are stars in their own right and have filled stadiums across the world, but each would leap at the chance to play with Sir Paul McCartney

Lead Guitar – Eric Clapton
There’s only one person in the world who could fill George Harrison’s shoes and that’s Clapton.  First, it’s well known that he played on "While My Guitar Gently Weeps." But Eric could also shine on songs like "Blackbird," "Back in The U.S.S.R," "Day Tripper," "Oh! Darling," and all the older Beatles songs.  Everyone knows Eric’s connection to Columbus (his wife is from here), which is why Paul may have picked it as one of his stops.

Rhythm Guitar – Izzy Stradlin
You need a guy who knows how to play rhythm and not another lead guitarist. The rhythm guitarist from Guns 'n' Roses should fill Lennon’s shoes. John was a tremendous player to George’s lead which is what Izzy was to Slash.  Izzy is widely respected in the guitar world for being one of the best rock rhythm guitarists alive with amazing feel and groove. He can nail songs like "Paperback Writer," "Eleanor Rigby," "Band on The Run," and add hardness to songs like "Live and Let Die," and "I Saw Her Standing There." And seriously, imagine him on "Helter Skelter."

Piano and Keyboards - Paul Shaffer
There is no keyboardist alive with the diverse range of Paul Schaffer. This set list calls for someone that can groove out the clean, classical sound of "Ob-La-Di, Ob-La-Da," then go right into the power synths of "Live and Let Die."; someone who can add deep emotion to "Hey Jude," "The Long And Winding Road" and "Let It Be,"; someone who can then rock out "Lady Madonna" and "Good Day Sunshine."  Plus, Paul can lead the band.  That’s what he did for The Blues Brothers, Saturday Night Live, and The Letterman Show.  There’s no short list here – there’s only one name and that’s Paul Shaffer’s. Paul doesn’t have much going on now since his Letterman gig is over and I’m sure he’ll do it for just the chance to get stoned with McCartney.

Drums – Dave Grohl
Dave says his entry into music was the Beatles and his reference to everything musical. His respect for Ringo runs deep. (His words, not mine. Take a listen here.) He can lay down the backbeats of "Penny Lane," "Get Back," "Can’t Buy Me Love," "Got To Get You Into My Life," and just kill it on "Day Tripper," "Live And Let Die," "Eleanor Rigby," "Hard Day's Night," and "Sgt. Pepper's Lonely Hearts Club Band."

That's my wish and I doubt it will ever come true.  But I'll still be going to the show in Columbus in the event any of it actually happens. If I can get a ticket before it sells out.

 

Wal Ozello is Music and Lifestyle contributor at pencilstorm.com. When he's not blogging about rock n roll or supporting others, he's writing science fiction novels. His suspense filled time-travel books, Assignment 1989, Revolution 1990, and Sacrifice 2086 can be found at Amazon.com.

 

 

 

THIS DATE IN ROCK N ROLL HISTORY - BADFINGER RELEASES STRAIGHT UP BY SCOTT CARR

December 13, 1971 - Badfinger: Straight Up is released.

Released on The Beatles Apple record label, Straight Up is the third album released by Badfinger and the follow up to the previous years breakthrough album No Dice, which contained the hit "No Matter What" and the original version of "Without You," a song that would be covered by Harry Nilsson on his album Nilsson Schmilsson in 1971 and become one of the biggest selling rock songs of the era.

Technically, Straight Up is the third album by the band but the second to feature the classic line-up of Pete Ham, Tom Evans, Joey Molland and Mike Gibbins. The first album to be released under the Badfinger name was Magic Christian Music in early 1970, that album was comprised of three new songs produced by Paul McCartney, including the McCartney-penned "Come and Get It" which became a top ten hit for the band in the US and UK. The rest of Magic Christian Music featured remixed version of seven other songs that were recorded by the band when they were known as The Iveys. The Iveys were the first band to be signed to The Beatles Apple label and their name would be changed to Badfinger, which was inspired by The Beatles song "Bad Finger Boogie" that later became "With A Little Help From My Friends." 

With Straight Up Badfinger continued to evolve and create a sound of their own. Being so closely associated with The Beatles had made it tough for the band to achieve their own identity. Initially the band recorded twelve songs in early 1971 that they thought would be the follow up album to No Dice but those tracks were rejected by Apple Records and George Harrison was brought in to oversee the project. Harrison would end up working on four new tracks with the band that would eventually make their way onto Straight Up, but Harrison was unable to complete work on the album because of other commitments, including The Concert For Bangladesh. Harrison told the band he could not finish the project but invited them to perform with him at the Concert For Bangladesh in August. With Harrison out of the picture.....Todd Rundgren stepped in to complete the sessions for Straight Up. Rundgren mixed the entire album and received production credit for eight of the albums twelve songs, with Harrison getting credit for the remaining four songs.

            George Harrison with Pete Ham

            George Harrison with Pete Ham

Day After Day single

Day After Day single

Listening to Straight Up you would never guess that there were so many obstacles in the way of making such a great record. It comes off as a very focused and cohesive collection of songs with strong performances from the band. Loaded with power-pop harmonies and hooks.....Badfinger managed to make a near-perfect album with Straight Up. Two singles were released from the album - "Day After Day" and "Baby Blue" - both written by Pete Ham. "Day After Day" came from the George Harrison sessions and features George on slide guitar along with Pete Ham. It would become the highest charting single for the band in the US. "Baby Blue" followed and would be the group's last top twenty single, peaking at No.14 on the Billboard charts. "Baby Blue" had a big resurgence in popularity when it was featured in a recent episode of AMC's Breaking Bad, becoming a top-selling song on iTunes following the airing of the episode. Elsewhere on Straight Up you will find many other standout tracks, including Pete Hams "Name of the Game," "Take It All" and "Perfection." Bassist Tom Evans would also contribute some of his best material, with the songs "Money," "Flying" and "It's Over."  Likewise Joey Molland had a strong showing with the songs "Sweet Tuesday Morning," "Suitcase," "I'd Die Babe" and the albums most rocking tune "Sometimes."

Sadly Straight Up would be Badfinger's commercial peak and the band would make one more album for Apple Records before leaving to sign with Warner Brothers. A series of tragic events would follow and bring this line-up of Badfinger to an end with the release of the album Wish You Were Here in 1974. Wish You Were Here is considered by many Badfinger fans to be the bands best work since Straight Up, but unfortunately it was too little too late and the band was drowning in a myriad of bad business decisions and lawsuits.  Basically the band was completely broke, had been all but shut down by their legal problems and could not continue. Guitarist Pete Ham committed suicide in April of 1975, followed by the suicide of bassist Tom Evans in 1983. Drummer Mike Gibbins died in 2005. Joey Molland is the only surviving member of Badfinger and still tours and performs the music of Badfinger.  

I highly recommend watching VH1's Behind The Music on Badfinger if you are unfamiliar with their career, it truly is the most tragic story in rock history........

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April. Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

Note: Lyrics below From Wiki: "Day After Day" is a song recorded by the rock/pop band Badfinger for inclusion on their 1971 album, Straight Up. The song was written and sung by Pete Ham and produced by George Harrison, who plays some of the slide guitar parts of the song along with Ham.

For best Badfinger Discussion - the real story Facebook - Badfinger (public group) Best website - http://www.badfingerlibrary.com (Rob Stawinski is sitting in for Mike in this video) Badfinger finished recording its third album with Geoff Emerick as producer; however the album was rejected by Apple.

http://www.badfingerlibrary.com - http://www.peteham.net https://www.facebook.com/pages/BadfingerThe-Iveys/294346940651268 http://www.twitter.com/Badfinger_Offcl Classic song from awesome Legendary British band. Apple Records, Paul McCartney signed them. Pete Ham was a huge loss - died by suicide, played on All Things Must Pass, Bangladesh concert, wrote Day After Day, Without You, Baby Blue, Name Of The Game, Lonely You

Letra: (Sin Errores) Ahí viene el sol, Ahí viene el sol, Y digo: está todo bien. Mi pequeña, Ah sido un largo, frío y solitario invierno. Mi pequeña, Parece como si hubiera durado años. Ya llega el sol, Ya llega el sol, Y digo: está todo bien.

new Pete Ham CD's - http://www.peteham.net To part 2 http://www.youtube.com/watch?v=KU9OwAEEDmk From Wiki: Badfinger originated with a band out of Swansea, South Wales in 1961 called The Panthers. The Panthers' featured lineup contained Pete Ham (lead guitar), Ron Griffiths (bass guitar), Roy Anderson (drums), and David 'Dai' Jenkins (guitar).

Badfinger were a British rock band that originally consisted of Pete Ham, Mike Gibbins, Tom Evans and Joey Molland. The band evolved from an earlier group called The Iveys that was formed in 1961 by Ham, Ron Griffiths and David "Dai" Jenkins in Swansea, Wales.

Uploaded by Damian Szkatuła on 2009-10-28.