Six Albums That Changed My Life - by Scott Carr

The Albums That Changed My Life series on Pencilstorm was conceived and launched by our Virginia correspondent JCE (John Egertson to his friends & family) last November, and will continue as our regular Sunday feature until we run out of submissions. To view the complete series, click on the Music heading on the Pencilstorm home page.

Albums that changed my life? Man, that's a tough one.

I always struggle when it comes to making "best of" lists. I've been a music fan since my pre-teen days and there has been so much music in my life, it's not easy to whittle that down to just a few choices.

Along the way there have been records that have had a bigger impact than others, so here are some that could be considered "life changing"....

KISS - ROCK AND ROLL OVER (1976)

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Kiss in the ‘70's without hesitation had the biggest influence on my musical journey.

You could insert any Kiss album from the decade here (yes, even Dynasty) and I would not argue.

Rock And Roll Over for me is Kiss sounding like Kiss. Bare bones, no frills Rock N Roll. I love the songs on this record and Eddie Kramer’s production captures Kiss at their best. Another highlight for me on this record is Ace Frehley’s lead guitar work, amazing! Ace was in top form on this release. I only wish he had been confident enough to supply a lead vocal on the record but in all honesty, I would not change a thing about it. Plus that cover artwork is probably my favorite Kiss album cover of all time.

Rock and Roll Over on most days is my favorite Kiss record. I don't know if I can pick one Kiss album as life-changing but I would just say experiencing Kiss in the ‘70's changed my life forever. According to my mom I first saw Kiss on television on the Midnight Special. She pulled me and my brothers out of our slumber to witness the spectacle, I have no solid memory of that event but I'm told I was present. I do remember seeing Kiss for the first time on the Destroyer tour and from there on the rest is Kisstory.

IRON MAIDEN - IRON MAIDEN (1980)

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After Kiss, my next big evolution in music was "metal." Kiss really weren't metal, so I wasn't really sure what "metal" was. I had heard some Sabbath records but Sabbath didn't really feel like my band. I love Sabbath but they felt like they were a generation older than myself. When I was a kid I was told by older kids that Black Sabbath created Heavy Metal and I was like, "Cool."

Seeing Judas Priest open for Kiss on the Dynasty tour really opened my eyes to a new breed of metal that would soon be invading American shores.

In 1980 the New Wave of British Heavy Metal was taking shape and Iron Maiden led the way. I bought their first album just based on the cover artwork alone. The music on the vinyl sounded exactly the way the cover looked. It was heavy and raw. I loved everything about it. This started a new chapter in my musical journey. At that point I started buying all kinds of European metal by bands like Diamond Head, Motorhead, Saxon, Def Leppard and the list went on and on. From 1980 to 1985 or so, I was a total metalhead kid.

RAMONES - RAMONES (1976)

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I discovered the first Ramones record from going through my uncle’s record collection. He had moved away and left all his records at my Grandma's house. He said I could go through them and take whatever I wanted. His collection was mostly hippie stoner rock records, which I didn't appreciate at the time. I left lots of cool stuff behind, but I did take all of his Budgie records.

One of the cool records I found in my uncle's collection was the first Ramones record. I had no idea what it was but seeing those four guys leaned up against a brick wall wearing leather jackets and ripped jeans and the bold RAMONES logo above them really caught my attention.

When I put it on the turntable for the first time, I felt like I was listening to something from another planet. I had never heard anything like it before. All the songs were fast and under three minutes long, I think the longest song on the record is maybe two and a half minutes long. Again, another album that sounded exactly how the cover looks. They looked like punks and sounded like punks.

I never became a full fledged punk rocker but this record certainly struck a chord with me and I've been listening to Ramones records for decades now.

CHEAP TRICK - CHEAP TRICK (1977)

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Still my favorite Cheap Trick album to this day.

I saw Cheap Trick in 1978 opening for AC/DC and soon started buying their records. At the time I was only aware of In Color and Heaven Tonight.

My first exposure to the band’s debut album was on the soundtrack to the movie Over The Edge. Back in those days there was no quick resource like Wikipedia to look up a band’s discography, so you just kinda discovered things by mistake. In July of 1979 I took my birthday money to the record store to buy some new records and while looking in the Cheap Trick section, I found a copy of their debut album. I clutched onto it like I had found the Holy Grail. I rushed to checkout counter and gave the clerk my birthday money and ran home to put the record on my turntable.

The whole album is perfection. I think it's really the only Cheap Trick studio album that accurately captures their raw power-pop energy. They have other great albums, but this one is their best in my book. Again, like Kiss, you could put any ‘70's Cheap Trick album in this spot and I would not be upset.

THE KNACK - GET THE KNACK (1979)

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Just like Cheap Trick's 1977 debut album, Get The Knack is pure power-pop perfection from beginning to end.

The Knack really had their own thing going, they weren't really new wave and they weren't punk but they fell somewhere in the middle of both genres.

This is definitely one of my all-time favorite albums.

I wrote about it in a past Pencil Storm piece and you can check it out here

JELLYFISH - SPILT MILK (1993)

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An unlikely masterpiece of an album that came out during the fall of glam metal and the rise of grunge.

Jellyfish were equal parts Queen, Beach Boys, The Beatles and a pinch of The Partridge Family.

During the early ‘90's I was a bit lost musically because everything was changing and I had been knee-deep in the MTV Glam Rock scene. By that time glam metal was becoming pretty disposable and even bands like Guns N Roses seemed like their time had come and gone. I wasn't in tune with the Seattle stuff. I liked the sentiment of it all, but it just really didn't strike a chord within me.

Jellyfish was like breathing new life into my floundering musical journey. Their first album Bellybutton came out in 1990 and spawned a minor hit with the single "Baby's Coming Back." Almost two and half years later the band returned with an album that leaned more towards their Queen influences and is way more adventurous than their debut.

Sadly Jellyfish did not last long after this record. They were gone in a flash but with just two albums they gained a fan base that hopes one day maybe we will see album number three.

So, I think I will leave you with those six uniquely different records. If I look at my choices too long, I will probably rewrite this entire thing. I think that covers the bases pretty well for me, though: Rock, Metal, Punk and Power Pop.

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Honorable mention: I don't know if these albums qualify as "life changing" but they are albums that I consider near-perfect ear candy and are go-to albums I listen to when I feel like there is nothing to listen to.….

BLUE OYSTER CULT - FIRE OF UNKNOWN ORIGIN

BILLY SQUIER - DON'T SAY NO

REO SPEEDWAGON - HI INFIDELITY

APRIL WINE - NATURE OF THE BEAST

DEF LEPPARD - HIGH N DRY

ALICE COOPER - FROM THE INSIDE

ENUFF Z NUFF - STRENGTH

THE POSIES - FROSTING ON THE BEATER

QUEEN - A NIGHT AT THE OPERA

THIN LIZZY - BLACK ROSE

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

I own no content. Posted for fan based channel for comment and discussion only !

Show de 1980 com Paul Di'anno

Ramones performing blitzkrieg bop at CBGBs circa 1976....

Cheap Trick - He's A Whore - Night Gallery 1977

Мои предыдущие каналы (My previous channels): https://www.youtube.com/user/NoMadU55555/videos https://www.youtube.com/channel/UCuK71d5hQd9F5DQLyO_d2aQ/videos

Spilt Milk tour, en vivo en Munich, Alemania 1993

Ricki & Colin's Strange Tales from the Cheap Trick Merch Table

This piece originally ran back in October of 2014, and Pencilstorm management is reprinting it now to encourage all of our readers to travel to the Ohio State Fair this Saturday, August 4th, to see the mighty Cheap Trick open for Styx.  (And let's face facts, it's gonna be an early night for ya, NOBODY in their right frickin' rock & roll minds would stay for Styx's entire set.)

 

The Watershed show opening for Cheap Trick at the House Of Blues in Myrtle Beach, S.C. last week went great, there'll be various blogs about different aspects of the trip over the next coupla weeks, here's the first installment. 

Tale # 1

Ricki C. - Classic merch moment: At a bar adjacent to the Myrtle Beach House of Blues where we're all kicking back after the show, Watershed drummer Dave Masica walks up to me with a "Why Isn't Cheap Trick in the Rock & Hall of Fame" t-shirt draped over his shoulder.  He pulls it off, hands it to me and says, "That guy over there wants to buy this, but I didn't know what to tell him, or how much they cost.  I told him to talk to you."

"Where did you get this?" I ask Dave.  (We had WICTITR&RHOF t's at the show, but weren't selling them.  We brought them for Colin to throw out into the audience as prizes during a quiz in the middle of set-ender "The Best Is Yet To Come.")  "I found it on the floor of the dressing room," Dave answers.  I shrug my shoulders, walk over to the guy and charge him 20 bucks for the shirt we normally sell for $15.  (I had come up $10 short on my merch totals that night according to Watershed road manager extraordinaire Michael "Biggie" McDermott, and figured this was my best shot at turning that deficit into a surplus.)  (By the way, I probably came up short because I left Colin in charge of the merch table while Biggie & I loaded out the gear after Watershed's set and Colin gave stuff away.)

Later that night, at yet another bar, Colin asks me if I picked up his WICTITR&RHOF shirt from the dressing room and I realize that I have unwittingly sold the sweaty, crummy t-shirt Colin had been wearing most of that day to some unsuspecting Rick Nielsen fan, who thought he was getting high-quality Cheap Trick merch.  Ooops.  Open message to random drunk Myrtle Beach guy: I'll make it up to you someday down the road.  

Tale # 2

Colin G. - So after we finished our set opening for Cheap Trick, I fight my way through the crowd to head out by the merch table because sometimes it helps to sell stuff if a band member is there bullshitting.  Ricki C. uses this opportunity to jam me there alone while making sure Biggie didn't need help backstage. I suspect he was going to the dressing room to make a peanut butter sandwich, but I can't prove it.

Anyway, it's kinda slow because people are waiting for Trick to come on, but one middle-aged woman is slowing picking up Watershed CDs and very thoroughly looking them over. Eventually she looks up at me and asks, "Which one has all the songs I know on it?"

"Come again?" I reply.

"Which one of these CDs has the songs I know on it?"

"Uh…."

This was a tricky question. See, with a band of our stature people usually know all of our songs or, as is much more likely, none of our songs. Thankfully, she could see I was struggling and added, "What's that one…..'I Want You to Want Me.'"

"Oh, that is a Cheap Trick song. That CD you are holding says Watershed on it. See right there? (I pointed to the big word Watershed on the front cover.) That means it's a Watershed CD, not a Cheap Trick CD."

"So you aren't in Cheap Trick?"

"No, I'm in Watershed" 

Never mind I had just come off stage and was still wearing my Watershed Hitless Wonder blue jumpsuit 

"Do you have any Cheap Trick CDs to sell?"

"No ma'am."

"Ok, goodbye."

Tale #3

Colin G. - So now I am standing at the merch table with Ricki,  Dave and Joe after Cheap Trick is done and it is mayhem. People are stacked three deep buying CDs, books, T-shirts, etc. and being good rock soldiers we are chatting with folks, offering to sign stuff and all that.

A woman leans forward and says loudly above the din of post show chaos, "Do you know who Richard Petty is?"

"Excuse me?" I said, not quite sure I was hearing her right.

"I said, DO YOU KNOW WHO RICHARD PETTY IS???" This time she said it quite loudly and seemed a little upset.

"Uh, like Richard Petty the race car driver?" was my unsure reply, spoken like a clueless Yankee.

"Yes, that one. You know, he told his sons that if they ever wanted to be famous they needed to write their names legibly so people can read them."

"You want me to sign my name more like Richard Petty's sons?"

"You already signed but I can barely read it. And you never even asked my name."

I mounted a weak defense: "Well, at least we are out here signing and being friendly. Doesn't that count for something? Besides, see that guy right there, he is an author and is really smart, I bet he will ask your name."

"Well, if you want to be famous and get on TV you better learn to write your autograph better, like Richard Petty's kids do."

Right then Joe O. leaned in and asked who he should sign this book to.

"Ha! Told you he would ask," I said, triumphant at the end.

 

Learn more about Ricki and Colin and the rest of the Pencilstorm contributors by clicking here.