Great Band, Worst Song: Mötley Crüe’s “Don’t Go Away Mad (Just Go Away)”

A new on-going feature on Pencil Storm, “Great Band, Worst Song,” will cover some of the best bands of rock n roll who squeaked out a rotten egg – a song so bad that it’s an embarrassment.  We kick off our first installment with our 80's hairband expert, Wal Ozello.

Mötley Crüe… the bad boys of rock ‘n roll. They lived the phrase “Sex, Drugs, and Rock ‘N Roll” to the extreme.  Two of their members had sex tapes which were made public: Vince Neil with a porn star and Tommy Lee with Pamela Anderson. Google their bass player, “Nikki Sixx and Overdose”, and you’ll get dozens of different stories when he overdosed on heroin and died… only to be revived so he could do more heroin. I mean, the guy was declared dead. Woke up and then went home to do more drugs.

These guys wrote raw hard rock… Shout At The Devil, Livewire, Looks That Kill, Wild Side, and a dozen other songs.  Even their covers, Helter Skelter and Smoking in the Boys Room, rocked harder than the originals.

One of their best albums, and their last good one, was Dr. Feelgood.  It had tracks like Kick Start My Heart and Dr. Feelgood that oozed out the sinister hard rock they were known for. Even the power ballad, Without You, had rawness to it that swung closer to metal, on the pop/metal continuum.

But the last song on this album, Don’t Go Away Mad (Just Go Away), sounds more like a New Kids On the Block song than something from the bad boys of rock n roll.  This song is just awful, even for a pop tune. It's got a dance beat and not a pump-your-fist-in-the-air beat. The acoustic intro is lame and the bass meanders like a 50's shoo-bop tune. The lyrics are cheesy and don't even make sense. If you’re a Mötley Crüe fan and think this song rocks then just imagine if Poison released it – you’d think it was worse than Unskinny Bop. Don’t Go Away Mad belongs on Flesh & Blood instead of Dr. Feelgood.

In a year when Guns N Roses dominated the airwaves with Welcome To The Jungle and Paradise City, the Crüe was singing about “two kids in love, trying to find our way.” That lyric sounds like it came from a Milli Vanili song and not from the guys who wrote about skydiving naked from an airplane.

I’m convinced it was this song that ruined Mötley Crüe and hard rock forever.  Somewhere in Seattle a young Kurt Cobain listed to Don’t Go Away Mad and thought, “This is shit. This band is over,” then sat down and wrote Smells Like Teen Spirit.

And that wasn’t just the end of Mötley Crüe. It was the end of heavy metal and hard rock.

Wal Ozello, a child of the 80s, is the former singer of the Columbus hairband Armada. He's the author of the science fiction time travel books Assignment 1989 and Revolution 1990 and a frequent customer at Colin's Coffee.

 

Top Ten Vocalists: Part Three - Number One

You've been reading, watching, listening, and debating.

You've seen the first nine of my Top Ten list - agreed and fervently disagreed.

Now you want to know who my number one is.

Here's the crazy thing - it's a tie.

I can't decide. See... I was raised in the 80s during the days of power chords, big hair, and leather spandex. But my brothers were ten years older than me and they taught me rock 'n roll starting with the music they listed to in the 70s.

So I'm stuck living in both worlds - the 70s and the 80s, which is why it's a tie.

My first #1 is Freddie Mercury

If you've been following along this isn't going to be a surprise to you. I'm into the power vocalists from the 70s, the guys with range and talent.  I've been saying you have to have more than passion or attitude to be on my list. Here's the thing... Freddie's got the complete package: attitude, performance, presence, and a voice like no other. The guy has a massive range and total control of this voice. The way he used vibrato then add a little growl is his trademark. Listen to these isolated vocal tracks from the recording of Somebody To Love. Here's the truly miraculous thing: there wasn't autotune in those days.  It was all pitch perfect.

Only Freddie Mercury could write and sing a song that blends opera and rock n roll, and then have the masses fall in love with it. Think about this for a moment. Practically the same audience that would blast out any other rocking 70s tune would still turn this song up on the radio.

Finally, check out this song - "Who Wants To Live Forever?" On the record, Brian May the guitarist sings the first verse then you can instantly tell when Freddie takes over. Listen to the passion that he slowly builds throughout the song to an explosion at the end.

But here's the thing: Freddie's awesome but he's not perfect.  In fact, I was hard pressed to find any rock vocalist that fit my high standards to be number one. That's why I have a tie.

My other #1: Axl Rose

Yeah. You read that correctly. Axl f'n Rose. The guy has that distinctive angry rock voice but he's got talent, too. He's got this weird range that's both tenor and baritone at the same time. When I first listened to Appetite For Destruction I actually thought there was two lead singers. But why should that keep him off my list? If anything that's a plus in rock 'n roll.

A couple video tracks here. First is one of my favorites - Paradise City. Axl's sandpaper voice scrapes out the high notes on the chorus while his rythmic melodies rock out the verses. I swear that the Axl's on beat during the first verse and Adler's off rhythm. I'm also pretty sure that Axl's singing both leads and back-up vocals on the opening chorus.

Here's Axl's baritone voice at it's best. Again, the rhythmic melodies really kick ass here. This is live in '88 at the Ritz. Slash isn't at his best in the clip, nor is the rest of the band. My guess is they are all flying high on heroin.

Here's Axl's softer side that really lets his melodies shine. It sounds nothing like the guy who sings Paradise City and Welcome To The Jungle. This is Patience off of Lies, Lies, Lies.

So here's the problem with Axl and why he wasn't a clear #1 for me. Everything after Lies, Lies, Lies was an abomination. Use Your Illusion I & II was such an overproduced bag of shit it was pathetic. Way to ruin the rawness that made Guns N Roses what it was.

So that's my top ten.

Wal Ozello is the author of Assignment 1989: The Time Travel Wars and was the lead singer of the Columbus hairband Armada. He's a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

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